Originality over consensus
If three major outlets are running the same take, we do not run it. We look for the second-order question, the data nobody has crunched yet, the framing the consensus has missed.
We are an independent editorial collective producing long-form analysis on technology, economics, and culture — written for readers who want depth, not consensus. Founded on the belief that the most valuable journalism is the kind that makes powerful people uncomfortable.
Newtheorum began in a shared apartment in Lisbon, where three journalists — laid off from legacy outlets in the same quarter — realized the same problem kept surfacing in their conversations: the stories that mattered most were the ones no editor wanted to assign, and no algorithm wanted to surface. The boring, structural truths. The unfashionable contrarian takes. The pieces that took eight weeks to research and three paragraphs to summarize.
We launched as a Substack with 47 subscribers. Five years later, we publish daily analysis read by policy makers, fund managers, founders, and curious readers in 92 countries. We have never taken advertising. We do not run sponsored content. Our only product is the writing, and our only promise is that we will tell you what we actually think — even when it is inconvenient, especially when it is unfashionable.
"The job of journalism is not to comfort the comfortable or afflict the comfortable. It is to make both groups think. We try to do that every weekday morning." — Founding Editor's Note, Issue 001
These are not aspirations. They are operational rules our editors enforce before any article goes live, and the framework we use to evaluate our own work at the end of each quarter.
If three major outlets are running the same take, we do not run it. We look for the second-order question, the data nobody has crunched yet, the framing the consensus has missed.
Every claim is sourced. Every dataset is linked. Every prediction is timestamped so you can check us later. We publish corrections prominently and never quietly edit away an error.
We chase the mechanisms behind the news cycle, not the outrage of the hour. The 24-hour story is someone else's job. We aim to publish things that still feel true in five years.
Every article names its lens. We tell you who we spoke to, what we could not verify, and where our priors might be coloring the read. Transparency about perspective is not a weakness.
We do not trade favorable coverage for interviews. Sources speak to us on the record wherever possible. We do not accept embargoes that suppress news for promotional advantage.
No ads. No sponsors. No native content. Our independence is paid for by the people who read us, and our editorial firewall is enforced in our budget, not just our bylaws.
Independent publishing at scale, sustained entirely by readers who believe good journalism is worth paying for.
Across 92 countries, with the largest contingents in the US, UK, Germany, India, and Brazil.
Long-form analyses, explainers, and weekend essays since our first issue in March 2021.
Zero ads, zero sponsors, zero native content. Reader subscriptions fund 100% of our work.
Editors, reporters, and researchers distributed across Lisbon, Berlin, New York, and Singapore.
A small, deliberately distributed newsroom. Every byline you read has been fact-checked, edited, and signed off by at least one other human on this page.
Former tech editor at a major European daily. Writes most weeks on platform economics, AI policy, and the labor implications of automation.
Read Helena's essaysEx-central bank researcher turned journalist. Covers monetary policy, sovereign debt, and the parts of macro finance that consensus coverage tends to flatten.
Read Daniel's essaysLong-time essayist on internet culture, attention economies, and the soft power of platforms. Author of the weekly "Distribution Shapes" column.
Read Priya's essaysData journalist and former quant. Runs the open data desk, verifies every chart that ships, and writes monthly on the misuse of statistics in public discourse.
Read Yusuf's essaysFive weekday briefings. One long-form weekend essay. No advertising, no recycled press releases, no algorithm deciding what you see. Cancel anytime.